Jimmy  Darts

SB Mowing

Pattie Gonia

Little Miss Flint

Kalina Silverman / @makebigtalk on Instagram

Samuel Weidenhofer

Patriotic Kenny Foundation

Ben Saunders - Flawless Cleaning

The Dogist

Peter Bond

Amy Jandrisevits

Ask Uncle Jack

That Good News Girl

Tess Bohne

FowlMouthFarmer

Latonja and Taylor Richardson

Officer Richard Craig

Flavor Flav

John Wolfe

Khloe

WhiteLight Cinema

<div><strong>Chlorophytum - Nelle piccole cose </strong>
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<div>è un cortometraggio che esplora con delicatezza il potere di uno sguardo, la presenza delle persone che attraversano la nostra vita e il valore apparentemente invisibile dei piccoli gesti.
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<div><strong>Anna</strong> una giovane donna, immersa in una frenetica routine e nel disincanto, viene risvegliata al desiderio di vivere attraverso gli sporadici e casuali incontri con <strong>Giovanna</strong>, un'anziana ma vitale vicina di casa, la cui successiva scomparsa la indurrà ad un profondo cambiamento. Una pianta, silenziosamente, le indica la strada.
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<div><br />
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<div>Il progetto nasce da un’idea dell’autrice <strong>Rita Pasqualon</strong>i, attrice e regista teatrale al suo esordio alla regia cinematografica, in collaborazione con <strong>WhiteLight</strong> e <strong>Atmos</strong>.
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<div><strong>Temi e stile </strong>
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<div>Una storia sul tempo presente come luogo e cura dell'anima e sulla felicità come scelta di vita. Il tono è intimo e poetico. Lo stile visivo essenziale e contemplativo.
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<div><strong>Cast artistico e tecnico </strong>
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<div>Il cortometraggio segna l’esordio alla regia cinematografica di <strong>Rita Pasqualoni</strong>, attrice e regista teatrale con oltre vent'anni di esperienza. Formatasi a Roma presso il <strong>Teatro Azione</strong>, ha proseguito la sua formazione al <strong>Centro Sperimentale di Cinematografia</strong> e in stage internazionali al <strong>Pantheatre di Parigi</strong>. Attiva tanto sullo schermo che a teatro – ha preso parte a produzioni del <strong>Teatro Stabile di Torino</strong> e del <strong>Teatro Argentina di Roma</strong> – è presente ne <em>Il Paradiso delle Signore</em>, <em>The Dadchelor</em> e <em>Il vestito da sposa</em>, oltre che in <em>Episodio</em>, <em>Sindrome</em> e <em>Ruggine</em> di <strong>Daniele Gaglianone</strong>.
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</div><img alt="" media_type="3" src="https://d2g8igdw686xgo.cloudfront.net/92070041_175069223480551_r.jpeg" width="100%" />
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<div>Il progetto vanterà anche un cast di interpreti d’eccezione.
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<div><strong>Arianna Ninchi </strong>– Attrice e autrice, proveniente da una storica famiglia teatrale. Ha lavorato con numerosi registi sia a teatro che per il grande schermo, fra cui <strong>Arnaldo Ninchi</strong>, <strong>Stefano Mordini</strong> e <strong>Leonardo Pieraccioni</strong>. Fra i suoi lavori per la televisione spiccano <em>Chiara e Francesco</em> e <em>Il segno delle donne</em>, mentre per il cinema <em>Il sesso degli angeli</em> e <em>The Elevator</em>. È protagonista nel film <em>Matildà</em>.
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<div><strong>Renata Zamengo</strong> – Interprete storica del cinema e del teatro italiano, ha lavorato con maestri del calibro di <strong>Elio Petri</strong>, i fratelli <strong>Taviani</strong> e <strong>Luca Ronconi</strong>. È apparsa in grandi classici del nostro cinema fra cui <em>Suspiria</em> di <strong>Dario Argento</strong>, <em>La notte di San Lorenzo</em> e <em>Il cittadino si ribella</em>.
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<div><strong>Stefano Gianino</strong> – Attore e musicista, è apparso in produzioni italiane e internazionali come <em>Makari 3</em>, <em>The White Lotus 2</em> e il film <em>Buio come il cuore</em>. Attivo anche a teatro – è protagonista dello spettacolo <em>Colapesce</em> – ha ricevuto il premio come <strong>miglior attore</strong> al <strong>Voghera Film Festival</strong>.
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<div><strong>Romano Talevi</strong> – Attore e regista teatrale, noto per il ruolo di <strong>Otto Merkel </strong>nel programma <em>Avanti un altro</em>, ha partecipato a serie come <em>Suburræterna</em> e <em>Dostoyevsky</em> dei fratelli <strong>D'Innocenzo</strong>. Presente anche al cinema, ha recitato in <em>Nonostante</em> di <strong>Valerio Mastrandrea</strong> ed è protagonista nel film <em>Bassifondi</em>.
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</div><img alt="" media_type="3" src="https://d2g8igdw686xgo.cloudfront.net/92070041_1750692276589451_r.png" width="100%" />
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<div>Il cortometraggio nasce anche dalla collaborazione tra due realtà produttive complementari:
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<div><strong>WhiteLight</strong> fondata nel 2003, attiva sia in campo cinematografico che teatrale. Nel corso degli anni ha sviluppato e promosso diversi progetti di rilievo, tra cui il documentario <em>Roma Kaputt Mundi</em>, distribuito su <strong>Prime Video</strong>. Tra i progetti recenti figura la distribuzione di <em>Prova d’Amore</em>, cortometraggio con <strong>Alessandro Haber</strong> e musiche del <strong>Premio Oscar Nicola Piovani</strong>, già premiato in numerosi festival internazionali.
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<div><br />
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<div><strong>Atmos</strong> una realtà creativa giovane ed emergente, attiva nella produzione di contenuti audiovisivi per il cinema e il mondo aziendale, con un approccio che unisce ricerca estetica e competenza tecnica. Fra i suoi lavori più recenti spiccano i cortometraggi <em>Linear Limits</em> e l'imminente <em>Ultima Notte</em> di <strong>Andrea Santoro</strong>.
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</div><img alt="" media_type="3" src="https://d2g8igdw686xgo.cloudfront.net/92070041_1750692308547257_r.png" width="100%" />
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<div><strong>Perché un crowdfunding?</strong>
</div>
<div>Perché vogliamo realizzare questo progetto con cura, dando valore al lavoro di una squadra professionale, senza rinunciare alla qualità artistica.
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<div><br />
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<div>Il nostro obiettivo è <strong>2000 €</strong>, destinati interamente a:
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<div>✅ Ufficio stampa e comunicazione
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<div>✅ Distribuzione festivaliera
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<div>Inoltre aderire a questa campagna significa:
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<div><br />
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<div>✅ Dare spazio a un debutto registico cinematografico
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<div>✅ Valorizzare uno sguardo sensibile e non urlato
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<div>✅ Aiutare una produzione indipendente di qualità
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<div>✅ Partecipare a una storia che parla anche di te
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<div><br />
</div>
<div><br />
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<div><strong>Ogni contributo conta.</strong>
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<div>Anche solo <strong>5€</strong>, anche solo una condivisione. Perché a volte è proprio <strong>nelle piccole cose</strong> che inizia un cambiamento.
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<div><strong>Perché sostenere Chlorophytum?</strong>
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<div>Perché in un mondo che corre, <strong>Chlorophytum</strong> si ferma. Ascolta. Respira. E lascia che qualcosa ci germogli dentro.
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</div><img alt="" media_type="3" src="https://d2g8igdw686xgo.cloudfront.net/92070041_1750748098516003_r.jpeg" width="100%" />
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<div><strong>(ENGLISH VERSION)</strong>
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<div><strong>Chlorophytum – In the Little Things</strong>
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<div>is a short film that delicately explores the power of a gaze, the silent presence of those who cross our lives, and the seemingly invisible value of small gestures.
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<div><strong>Anna</strong>, a young woman caught in a hectic and disenchanted routine, is gradually awakened to a desire for life through sporadic, chance encounters with <strong>Giovanna</strong>, her elderly yet vibrant neighbor. After Giovanna’s sudden disappearance, Anna is led to a profound transformation. A plant, quietly and persistently, shows her the way.
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<div><br />
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<div>The project is based on an idea by writer-director <strong>Rita Pasqualoni</strong>, a stage actress and theatre director making her debut in cinema, in collaboration with <strong>WhiteLight</strong> and <strong>Atmos</strong>.
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<div><strong>Themes &amp; Style</strong>
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<div>A story about the present moment as a place of healing for the soul, and happiness as a conscious choice.
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<div>The tone is intimate and poetic; the visual style is essential and contemplative.
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<div><br />
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<div><strong>Cast &amp; Crew</strong>
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<div>This short film marks the cinematic directorial debut of <strong>Rita Pasqualoni</strong>, a theatre author and director with over twenty years of experience. Trained in <strong>Rome</strong> at <strong>Teatro Azione</strong> and the <strong>Centro Sperimentale di Cinematografia</strong>, she furthered her studies in <strong>Paris</strong> at the <strong>Pantheatre</strong>. Active both on stage and on screen, she has worked with the <strong>Teatro Stabile</strong> in <strong>Torino</strong> and <strong>Teatro Argentina</strong> in <strong>Rome</strong>, and appeared in <em>Il Paradiso delle Signore</em>, <em>The Dadchelor</em>, <em>Il vestito da sposa</em>, <em>Episodio</em>, <em>Sindrome</em>, and <em>Ruggine</em> by <strong>Daniele Gaglianone</strong>.
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<div>The project features an outstanding cast of performers:
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<div><strong>Arianna Ninchi</strong> – Actress and author from a distinguished theatrical family. She has worked in both theatre and film, with credits including <em>Chiara e Francesco</em>, <em>Il segno delle donne</em>, <em>Il sesso degli angeli</em>, and <em>The Elevator</em>. She stars in the feature film <em>Matildà</em>.
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<div><br />
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<div><strong>Renata Zamengo</strong> – A veteran of Italian cinema and theatre, she has collaborated with iconic directors such as <strong>Elio Petri</strong>, the <strong>Taviani</strong> brothers, and <strong>Luca Ronconi</strong>. She appeared in classic films like <strong>Dario Argento</strong>’s <em>Suspiria</em>, <em>The Night of the Shooting Stars</em>, and <em>Street Law</em>.
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<div><br />
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<div><strong>Stefano Gianino</strong> – Actor and musician, he has appeared in Italian and international productions including <em>Makari 3</em>, <em>The White Lotus 2</em>, and the feature film <em>Buio come il cuore</em>. On stage, he leads in the play <strong>Colapesce</strong> and was awarded <strong>Best Actor</strong> at the <strong>Voghera Film Festival</strong>.
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<div><br />
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<div><strong>Romano Talevi</strong> – Actor and theatre director, widely recognized for his role as <strong>Otto Merkel</strong> in <em>Avanti un altro</em>, he has appeared in series such as <em>Suburræterna</em> and <em>Dostoyevsky</em> by the <strong>D’Innocenzo</strong> brothers. In cinema, he starred in <em>Bassifondi</em> and appeared in <em>Nonostante</em> by <strong>Valerio Mastandrea</strong>.
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<div><strong>The Producers</strong>
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<div>The short film is the result of a collaboration between two complementary production companies:
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<div><strong>WhiteLight</strong>, founded in 2003, is active in both film and theatre. Over the years, it has developed and promoted numerous projects, including the documentary <em>Roma Kaputt Mundi</em> (streaming on <strong>Prime Video</strong>). More recently, it distributed the multi-award-winning short film <em>Prova d’Amore</em>, starring <strong>Alessandro Haber </strong>with an original score by <strong>Oscar-winner</strong> <strong>Nicola Piovani</strong>.
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<div><strong>Atmos</strong> is a young, emerging creative studio focused on producing audiovisual content for cinema, corporate communication, and social impact campaigns. Combining visual research with technical precision, Atmos’s recent works include the short films <em>Linear Limits</em> and the upcoming <em>Ultima Notte</em> by <strong>Andrea Santoro</strong>.
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<div><br />
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<div><strong>Why Crowdfunding?</strong>
</div>
<div>Because we want to create this film with care — respecting the work of a professional crew without compromising artistic quality.
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<div><br />
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<div>We’re aiming to raise <strong>€2,000</strong>, entirely dedicated to:
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<div><br />
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<div>✅ Press office and communication
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<div>✅ Festival distribution
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<div><br />
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<div>By supporting this campaign, you are also:
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<div><br />
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<div>✅ Supporting a directorial debut in cinema
</div>
<div>✅ Championing a gentle and deeply human perspective
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<div>✅ Helping quality independent filmmaking thrive
</div>
<div>✅ Becoming part of a story that speaks about — and to — you
</div>
<div><br />
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<div><strong>Every contribution matters.</strong>
</div>
<div>Even <strong>€5</strong>. Even just a share.
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<div>Because sometimes, it’s <strong>in the little things</strong> that change begins.
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<div><br />
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<div><strong>Why support Chlorophytum?</strong>
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<div>Because in a world that rushes, <strong>Chlorophytum</strong> slows down.
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<div>It listens. It breathes.
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<div>And lets something quietly grow inside us.
</div>

Chlorophytum - Nelle piccole cose

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Chlorophytum - Nelle piccole cose