Jimmy  Darts

SB Mowing

Pattie Gonia

Little Miss Flint

Kalina Silverman / @makebigtalk on Instagram

The Dogist

Samuel Weidenhofer

Patriotic Kenny Foundation

Peter Bond

That Good News Girl

Ben Saunders - Flawless Cleaning

Flavor Flav

Ask Uncle Jack

Amy Jandrisevits

FowlMouthFarmer

Tess Bohne

Latonja and Taylor Richardson

Officer Richard Craig

John Wolfe

Khloe

<div><strong>Support Ianto &amp; Linda During This Final Chapter</strong>
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<div><strong>WHAT IS NEEDED</strong>
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<div>Help us care for Ianto Evans while he has been placed in hospice. Currently his wife Linda is his sole support system during this precious and difficult time. This is too much for one person with minimal help to handle alone and they need our help. Our goal is to surround Ianto and Linda with care, dignity, companionship, and practical support for whatever time remains.
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<div><strong>THE CURRENT SITUATION</strong>
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<div>Ianto is nearing the end of life this time around on this earthly plane. This past year has been challenging due to Ianto's decline in health, and these last few weeks have taken an extraordinary toll on them both —physically, emotionally, and practically.
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<div>We are raising funds to pay caring, and compassionate helpers who can come and provide hands-on support.
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<div><strong>YOUR MONEY WILL PAY FOR CAREGIVERS who will...</strong>
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<li>Sit with Ianto so Linda can rest, eat or step away for a moment
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<li>Help him eat and drink
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<li>Help with personal hygiene and everyday basic care
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<li>Keep him comfortable and accompanied
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<li>Help him move safely
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<li>Playing his favorite music— The 3 B's, Bach, Beethoven, and the Beatle's!
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<div><strong>ABOUT THEIR WORK</strong>
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<div>For decades, Ianto Evans and Linda Smiley of Cob Cottage have given so much of themselves to the natural building movement. Through their teaching, writing, building, experimentation, and generous sharing of knowledge, they have inspired countless people to think differently about shelter, sustainability, community, and what it means to live more lightly on this Earth.
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<div><strong>HOW YOU CAN HELP</strong>
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<div>If their work has touched you, taught you something, inspired you, or simply made your life a little richer, please consider giving a bit back now.
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<div>Every contribution—large or small—will help bring another pair of hands, another caring presence, and another moment of relief to Linda as she walks alongside Ianto through this final transition.
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<div>If you aren't able to contribute financially, sharing this campaign is a meaningful way to help along with sending prayers and light their way.
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<div>With gratitude,
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<div>Tammy Van, friend, and colleague of Ianto and Linda
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<div>Director of Seven Fires Foundation
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<div>Disclaimer: The funding goal is an unknown of course, depends on how long Ianto choose to stay in his earth suit. We will keep you updated as the days/weeks progress. All funds will be distributed by Seven Fires Foundation directly to those providing care. Any funds "left over" at the end of Ianto's life, will be either refunded or paid forward in a way to support Cob Cottage Company legacy to Linda as appropriate per donor discretion. We will close the campaign when he chooses to leave. Any questions, just reach out to Tammy.
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Ianto Evans End of Life Love and Support for Linda

<div>Hey! Mijn naam is Daniël Lubbers, 22 jaar oud, en ik zamel geld in voor de financiering van een handwerk opleiding in Zweden genaamd Sätergläntan. Voor deze opleiding is helaas geen studiefinanciering mogelijk. Daarom dat ik deze inzamelactie ben gestart!
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<div><strong>Eerst wat meer over mij </strong>
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<div>Ik ben opgeleid tot meubelmaker/restaurator aan het ROC van Twente in Hengelo. Na mijn opleiding ben ik meer gaan focussen op het geven van workshops in de vers houtbewerking wereld. Je kan mij wekelijks vinden in het bos van Vershout (<a href="https://www.vershout.nl" target="_blank" rel="noreferrer noopener">www.vershout.nl</a>). Hier ben ik zes jaar geleden begonnen met een basiscursus. Dit liep uit naar een stage, en een opleiding tot vrijwilliger. Nu help ik regelmatig met workshops en organiseer ik ze zelf ook.
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<div><strong>Waar gaan de donaties naartoe? </strong>
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<div>Het ingezamelde geld gaat naar de bekostiging van de opleiding. Denk hierbij aan huurkosten van een kamer, levensonderhoud, materiaal-, gereedschap- en verdere onvoorziene kosten.
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<div><strong>Over de opleiding </strong>
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<div>Sätergläntan is een ambachtsschool in Zweden, in de buurt van Mora (waar de welbekende houtsnijmessen vandaan komen). De school biedt vier verschillende specialisaties: smeden, naaien, houtbewerking en weven. Het programma biedt je diepgaande kennis en vaardigheden in ambachtelijke technieken, maar ook in vormgeving en cultuurgeschiedenis. Je kunt één of meerdere jaren aan Sätergläntan studeren. Tijdens het derde jaar van de opleiding kun je een vakdiploma behalen in een van de richtingen. Na het afstuderen kun je aan de slag gaan als ambachtsman of –vrouw, in bijvoorbeeld het onderwijs, in musea, als adviseur of als zelfstandige.
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<div><strong>Mijn doelen </strong>
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<div>Ik heb gekozen voor deze opleiding omdat het veel nadruk legt op het behouden van culturele en traditionele werkwijzen. Ook geeft deze opleiding les in het ontwerpen en ontwikkelen van je eigen stijl. Dit zijn dingen die mij erg aanspreken. Een andere reden is om mijzelf beter te ontwikkelen op sociaal en zelfstandig gebied.
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<div>Na het afronden van de opleiding ga ik graag verder in het geven van workshops. Dit in samenwerking met Sjors van der Meer (van VersHout). Met de technieken en werkwijzen die ik ga leren tijdens de opleiding kan ik in de toekomst deze werkwijzen overbrengen aan cursisten tijdens workshops of gebruiken bij het maken van producten. Hiermee wordt het ambacht behouden voor de toekomst!
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<div><strong>Donaties </strong>
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<div>Alle donaties worden natuurlijk erg gewaardeerd. Kijk voor meer informatie op mijn website feinhout.nl/fundraiser . hier vind je meer informatie over producten die ik aanbied.
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<div><em>Er worden geen loterijen, sweepstakes, weggeefacties of rendementen op investeringen aangeboden in ruil voor donaties aan deze GoFundMe.</em>
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Daniël's Sätergläntan opleiding

<div>The English language world premiere of a fierce, hallucinatory new play by Naomi Wallace &amp; Ismail Khalidi, stitching together a mosaic of voices connected by the struggle to survive. Premiering at the Finborough Theatre.
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<div><strong>"In the dark times</strong>
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<div><strong>Will there also be singing?</strong>
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<div><strong>Yes, there will also be singing.</strong>
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<div><strong>About the dark times."</strong>
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<div><strong>- Bertolt Brecht</strong>
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<div>We are living in dark times. But we believe that the human imagination is, in and of itself, one of the most powerful forms of resistance.
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<div>Inspired by Picasso’s 1937 masterpiece Guernica, award-winning writing duo Naomi Wallace and Ismail Khalidi have stitched together a mosaic of voices connected by the struggle to survive. This English language world premiere will be directed by acclaimed Palestinian director Emile Saba.
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<div>London’s multi award-winning Finborough Theatre is defying the implicit and explicit censorship around the ongoing genocide in Palestine to bring Visions from the Center of the Earth to the stage in Autumn 2026.
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<div>This play is an artistic clarion call in perilous times, and to bring it to life in London, we need your support.
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<div><strong>CONVERSATION WITH THE WRITERS</strong>
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</div><iframe media_type="0" media_id="UIqPt7lKZO4" class="youtube-replace" title="YouTube video player" style="margin-bottom:20px;width:560px;height:315px;" src="//www.youtube.com/embed/UIqPt7lKZO4/?rel=0" frameborder="0" allowfullscreen="1"></iframe>
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<div><strong>THE PLAY</strong>
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<div>Visions from the Center of the Earth is a hallucinatory portrait of five Palestinians, hellbent on surviving the inferno of a war of annihilation raging around them.
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<div>The play is a patchwork orchestra of voices stitched together by the bombs falling above them. As the world is pulverised and family members are separated by rubble, their stories intertwine in a defiance of form.
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<li><strong>Meet the Characters:</strong>
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<li><strong>YARA:</strong> A young surfer who refuses to quit riding the barrel waves off the coast of Gaza, even as the warships close in.
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<li><strong>ANTAR:</strong> Yara’s father, a surfer himself, is desperately trying to call her home from the sea.
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<li><strong>BILAL: </strong>A beekeeper on a mission to safeguard the future from environmental collapse, searching for a place to hide his last hive from the machines of war.
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<li><strong>YAMEN &amp; HAMZA:</strong> Two brothers trying to put the world back together; Yamen must convince Hamza to help him rescue injured animals in the rubble.
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<div><strong>THE CONTEXT: Why this play? Why Now?</strong>
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<li><strong>Written Under Fire</strong>
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<div>Visions from the Center of the Earth was as commissioned by Ashtar Theatre in Ramallah in 2024, during the first year of the genocide. With only six weeks to deliver a draft, Wallace and Khalidi embarked on a furious act of creation.
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<div>The play premiered in Arabic in the occupied West Bank to profound acclaim. Now it must be heard in English.
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<li><strong>Defying Censorship</strong>
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<div>Theatre about Palestine is frequently silenced in the West. By supporting this project, you are not just funding a play; you are breaking the wall of censorship, and ensuring that Palestinian voices are heard in London, the heart of the empire that has historically shaped the region's fate.
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<div>In a landscape where Palestinian stories are frequently de-programmed, depoliticised and underfunded, the Finborough Theatre stands as a rare space for artistic bravery. Your support isn't just a donation; it is a vote against complicity and silence, and an act of cultural resistance.
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<div><strong>"A powerful and moving portrayal</strong>
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<div><strong>of the cost of war... the play draws</strong>
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<div><strong>attention to the devastating</strong>
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<div><strong>impacts of genocide." </strong>
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<div><strong>- Marina Johnson, Arab Stages</strong>
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<div><strong>CONVERSATION WITH THE DIRECTOR</strong>
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</div><iframe media_type="0" media_id="a7FP_QY0X58" class="youtube-replace" title="YouTube video player" style="margin-bottom:20px;width:560px;height:315px;" src="//www.youtube.com/embed/a7FP_QY0X58/?rel=0" frameborder="0" allowfullscreen="1"></iframe>
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<div><strong>THE TEAM</strong>
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<div><strong>Naomi Wallace</strong>'s plays have been produced in the United States, the U.K., Europe and the Middle East. Awards include the MacArthur Award, Obie Award, Susan Smith Blackburn Prize, Arts and Letters Award in Literature, and the Windham Campbell prize for drama. Works include In the <em>Heart of America, Slaughter City, One Flea Spare, The Trestle at Pope Lick Creek, Things of Dry Hours, The Liquid Plain</em> and <em>The Breach</em>. Her stage adaptation of William Wharton’s novel Birdy was produced on the West End in London. Films: <em>Lawn Dogs, The War Boys, Flying Blind</em> (co-written with Bruce McLeod). Awards: Susan Smith Blackburn Prize (twice), Joseph Kesselring Prize, Fellowship of Southern Writers Drama Award, a Horton Foote Award and a National Endowment for the Arts grant. 
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<div><strong>Ismail Khalidi</strong> is a Palestinian-American writer whose plays include Tennis in Nablus, Foot, and Sabra Falling. His work has been produced and published internationally, and an anthology of his plays, <em>Until I Return: The Selected Plays of Ismail Khalidi</em>, was released in 2025 from Bloomsbury. His previous collaborations with Naomi Wallace include adaptations of <em>Returning to Haifa</em> and <em>The Corpse Washer</em>, as well as<em> Inside/Outside: Six Plays from Palestine and the Diaspora</em>, which the two co-edited. 
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<div><strong>Emile Saba</strong> is a Palestinian theatre director, actor, and cultural leader, and the Artistic Director of ASHTAR Theatre in Ramallah. His artistic journey began at ASHTAR, the home that shaped his creative vision and commitment to community. He later earned an MFA in Stage Acting from the University of Connecticut in the United States. Saba’s work bridges poetry and political reality, drawing on magical realism to imagine justice and change. He has presented and led theatre projects across Palestine, the Arab region, Europe, and the United States. His works include 2077: Who Wants to Survive, Cosmos, Love on the Shelf, Jabra, and Guernica Gaza.
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<div><strong>Ashtar Theatre</strong> is a pioneering Palestinian non-profit theatre founded in 1991 in Jerusalem by actors Edward Muallem and Iman Aoun. With a progressive global outlook, ASHTAR combines professional theatre productions with intensive training programs that empower young artists and promote social change. Known for its innovative Forum Theatre, ASHTAR actively engages communities—bringing theatre to marginalized and remote areas across Palestine—and transforms audiences into participants in dialogue around social and political issues. Through local and international collaborations, master classes, and award-winning performances, ASHTAR continues to serve as a dynamic cultural and democracy-building force in Palestine.
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<div><strong>The Finborough Theatre</strong> is one of London's most respected Off-West End theatres, known for punching above its weight and championing politically vital work.
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<div><strong>THE ASK</strong>
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<div>Producing theatre is neither cheap nor easy, especially when public funding for politically sensitive work is scarce.
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<div>Our total budget for the English language premiere is <strong>£69,700</strong>. This covers paying our cast and creative team a living wage, rehearsal costs, design, pre-production and a comprehensive marketing and PR campaign to cut through the noise in this difficult landscape.
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<div>More importantly, this is an inherently a multi-national, multidisciplinary project whcih requires the presence of a number of creatives from abroad, who will require visas, accommodation and amenities to ensure this project is produced to the best of our ability. 
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<div>We are looking to raise <strong>£53,000 (approx. 75%)</strong> through this campaign. The Box Office and additional funding will hopefully supply the rest.
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<div>It Is important to note that through strict budgeting, we hope that this campaign raised some additional seed funding for future UK tours and a US run.
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<div><strong>Where Your Money Goes:</strong>
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<li><strong>Fair Wages:</strong> Paying actors, stage managers, and technicians.
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<li><strong>Creative Costs:</strong> Set, lighting, and sound design.
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<li><strong>Production: </strong>Rehearsal space, insurance, and marketing.
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<li><strong>Future development: </strong>Potential UK tour and a New York production.
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<div><strong>OTHER WAYS TO HELP</strong>
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<div>We know that times are hard. If you cannot donate today, please consider:
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<div>Sharing this campaign on social media, email, and WhatsApp.
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<div>Talking about the play. Help us break the silence.
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<div>Advance sales and Coming to the show in November 2026.
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<div><strong>"In the dark times, there will also be singing." Help us sing.</strong>
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<div><strong>Risks &amp; Challenges</strong>
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<div>Producing independent theatre always comes with inherent challenges. These include securing sufficient funding, venue programming, rehearsal scheduling, creative team coordination, and managing production costs such as set, lighting, costumes, and marketing. While we have carefully budgeted and planned the project, unforeseen logistical or financial obstacles can arise in live performance.
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<div>Additionally, the subject matter of this play is bold and thought-provoking. While this is central to its artistic value, it may present marketing and press challenges. We are committed to handling this responsibly and professionally, and will be working with experienced marketing and PR professionals to ensure the work is positioned thoughtfully and sensitively.
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<div>Our team has extensive experience producing theatre, and we are putting strong management structures in place to mitigate risks wherever possible.
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<div><strong>Refunds &amp; Cancellations</strong>
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<li><strong>Risks, Postponement &amp; Refund Policy</strong>
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<div>We are fully committed to bringing this production to life. However, as with all live theatre, there are risks. If we do not reach our minimum funding target, or if unforeseen circumstances beyond our control prevent the production from going ahead as planned, we may need to postpone or withdraw the production at this time.
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<div>If the production is postponed or withdrawn before it takes place, we will contact all donors directly and transparently to outline the next steps. In that situation, supporters will have the option to:
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<div>+ Keep their contribution allocated toward a future confirmed production date;
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<div>+ Request a full refund of their contribution.
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<ul>
<li><strong>Refund Policy</strong>
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<div>Refunds will only be offered in the event that the production is postponed or withdrawn before it takes place.
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<div>If the production goes ahead as planned, contributions are considered final and non-refundable. As this is a crowdfunding campaign supporting a live theatrical production (rather than a retail purchase), funds are used to cover upfront production costs including venue hire, rehearsal space, creative fees, design, and marketing.
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<div>We deeply value the trust and support of our backers and will ensure clear, honest communication throughout the process.
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Visions from the Center of the Earth

<div>Hi all,
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<div>With a heavy and humble heart, our dear friend and community member Kirk Mobert, a.k.a “Donkey,” is in need of our help.
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<div>His cancer has returned, and this time it is in his bones. Treatment and recovery will be more severe, so anything we can do to help will greatly relieve the financial burden of this healing journey.
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<div>***Please note, we are starting from scratch again!!! Round One, we raised over $20k for his first remission two years ago!! Now we are back with bigger gloves on - Round Two - make it to $30k and a full recovery!!! If you can support again, thank you!!!***
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<div>Kirk has given so much to us all, he has always been a pillar of strength, support, and fairness, whether thru his teachings at Sundog School of Natural Building, his innovative work with Rocket Mass Heaters and his open source forum on the subject, donkey32.proboards.com, or his extensive contributions to the Point Arena and Gualala community. It is our turn to give back!
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<div>Please donate if you are able, so Kirk and his family can focus on the fight ahead. Every little bit helps!!! If you'd like to send correspondence to him directly, please reach out for where to do so.
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<div>Thank you ever so kindly, sending love and gratitude to you all!!!
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<div>♡♡♡
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Help Kirk "Donkey" Mobert thru his cancer journey

<div>Dear Friends and Supporters of Oak Park’s Community Shop Class,
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<div>We are making a real difference in a very underserved part of Sacramento, Oak Park, and because of you, this past year at Community Shop Class has been a major success.  I cannot express how grateful we are for your support. 
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<div>I started Community Shop Class to provide a place for every type of learner to thrive, belong and prepare for the workforce. 
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<div>In the last twelve months, we:
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<li>Taught hundreds of young people to build in our Tiny Home Academy and Tool Training programs, our learners are excited to start a life in trades work or manufacturing
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<li>Welcomed thousands of neighbors to the Community Shop Class workshop and facilities and provided free tools for use through our tool library.
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<li>Helped dozens of housing-insecure young people by teaching them to build E-Bikes and provided them with clean micro-mobility solutions in our E-Bike Manufacturing programs.
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<li>Hosted over 40 free classes and learning experiences for neighbors
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<li>Provided small appliance repair services for low-income residents through our monthly “Fix-it Café”
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<li>Taught vegetable gardening skills and growing food in our Garden Box Program 
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<li>Started a growing neurodivergent peer support group
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<div>Over the next 12 months, we have goals to add more introductory classes, more versions of our Youth Building and Entrepreneurship camps, and repeat the successful after-school project programs our kids have grown to love. 
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<div>We hope to expand the Tiny Home Academy this Fall and Spring of 2025 and we will keep hosting free events and dances for our neighbors. We will also continue supporting neurodivergent learners through our ADHD Inventor’s Club projects, meetings, and videos.  
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<div>I am writing because we need your help again this year to ensure we can continue serving those who deserve to learn and be trained. 
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<div><br />
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<div>Changing the world isn’t easy and Community Shop Class simply cannot do this without supporters like you.   Would you consider continuing or expanding your previous grant to help us increase our impact in the coming year?
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<div>I have seen the impact Shop Class has had on people’s lives and their families and I believe you too want to see a more sustainable and compassionate world where all types of learners are celebrated. 
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Support Oak Park's Community Shop Class

<div>Hi friends,
</div>
<div><br />
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<div>This is me asking for your help to cover expenses for a surgery that I need to go through. The surgery itself is $2250. Unfortunately, it's not covered by insurance, and I cannot do it alone.
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<div><br />
</div>
<div>I am having a very large fibroid removed that has been difficult to live with as of late.
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<div><br />
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<div>The surgery will be a standard cesarian-like surgery and if all goes well the recovery time should be 2 months, time when I am asked to rest as much as possible. 
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<div><br />
</div>
<div>It's difficult for me to ask for your help but if you can help, I am so grateful for you.
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<div><br />
</div>
<div>With all my heart,
</div>
<div>Andreea
</div>

Christo Markham

Christo Markham

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