The Story

When Billie comes out as bisexual, she and her best friends travel to London in pursuit of their own queer odyssey. Underage and over-excited, needless to say, it doesn't quite go to plan...

The Vision

GOOD GIRLS GO TO HEAVEN is a boundless and boundariless exploration of sexuality. A genre-bending film that speaks to the fluidity of queer youth. Our visual world creates a space for ‘in-between’ identities: women and girls who don’t know who they are, but are ready to fuck around and find out.

As such, we present this coming-of-age and coming-out story in the traditionally masculine visual world of the ‘boy movie’. A road-movie-on-foot that combines the grandeur of the American dream with the grit of British kitchen sink classics, set against the dusky blue of teenage memories. It’s just late enough to be an adult, but it’s August, so there’s still colour in the sky.

Possibility, not danger.

See our full visual deck here.

The Mission

This film will go toe to toe with cinema’s most iconic stories of teenage angst and anarchy, and these girls will be as brash, as brilliant, and sometimes as brutal, as the best of their male counterparts. A piece on sexuality and identity, our chaotic little film will do all it can to jump over (if not break down) any barriers that stand in its way.

We see this as a hopeful, emboldening symbol for young, queer people growing up today to feel seen or inspired by. We hope this film can be part of the rich cinematic tapestry that paints characters who have a loud and proud future.

Supporting this film means supporting LGBTQ+ and ally creatives, and to ultimately see the premiere of Good Girls Go to Heaven at festivals and beyond in 2026.

The Team

Director: Martha Wilson

Martha Wilson is a female filmmaker whose debut short, SOUL, BABY!, is in the final stages of post-production. As well as GOOD GIRLS GO TO HEAVEN, 2025 will see Martha direct WINTER from writer Avania Costello. Martha is now Development Coordinator at Tom Harper's Popcorn Storm, for whom she worked as Director’s Assistant on the upcoming Peaky Blinders film.

Writer: Ella McCallum

Actor/writer Ella McCallum has worked on KICK, directed by Yasmin Hafesji, Harris Alvi’s NOW AND THEN (selected for the BFI London Film Festival 2023) and IMAAM IMRAAN, directed by Iqbal Khan. Ella’s writing credits include THE THINGS I CANNOT CHANGE and A KIND OF SILENCE, one of six projects selected for Play Dates’ fourth season New Writing initiative. GOOD GIRLS GO TO HEAVEN is her debut screenplay.

Writer/Producer: Annie Mitchell

Annie Mitchell is a writer/producer from Essex. She freelanced on various TV/Film projects before joining Alfonso Cuarón as Director’s Assistant on DISCLAIMER. Annie now works in-house as Production & Development Associate at James Norton’s Rabbit Track Pictures, as well as producing independently. Annie is currently also developing Elf Lyons’ screenwriting debut; an adaptation of her live show, RAVEN, into a comedy/horror short film set to shoot later this year.

Exec Producer: Dylan Rees

Dylan Rees is an Emmy award-winning producer working in Film and TV. He Line Produced numerous critically-acclaimed features and series including COUNTY LINES, the BAFTA-winning AFTER LOVE, Netflix YA hit drama HEARTSTOPPER (for which he won an Emmy), the Amazon film YOUR CHRISTMAS OR MINE 2, and the Channel 4 comedy ALICE AND JACK, starring Domhnall Gleeson and Andrea Riseborough.

Thank you!

This is a true passion project that spotlights experiences that are rarely shown on screen. Every pound you give gets us closer to telling this story in the way it deserves.