Step into the Magic of Mara's Time warp Adventure! Support Our Unique Student Film Project!

We students at George Brown College are embarking on our Film Capstone! This is an exciting time for us aspiring filmmakers to show you the skills we have developed during our time in the Film Design and Production program! And we want you to join us and help support our dreams by donating to our student film.

Title: Department ‘61

Our story follows a young Mara as she stumbles upon a hidden door leading to a timewarp, transporting her to the vibrant era of 1961. In this alternate dimension, Mara encounters a

younger, more enigmatic version of her boss, Adam Ward, and the mysterious Jane. A seemingly innocent offer turns dark when Mara is drugged, and a sinister plot unfolds.

Your contribution to our GoFundMe campaign will transform Mara's journey into a visually stunning and immersive experience. We aim to recreate the magic of 1961, weaving a narrative that challenges conventions and showcases the creative prowess of emerging filmmakers.

What your contribution will go towards:

Donations play a pivotal role in bringing this significant story to life with the utmost care and artistic integrity. Here's a breakdown of how your contribution will be utilized:

Production and Set Design: $1250

A large portion of the budget is dedicated towards the production design and building sets for Department '61. As a large amount of our film is set in the year 1961, creating that world will be of utmost importance to us and our story. Ensuring that every aspect of the visual elements aligns seamlessly with our narrative. From the costumes to the props, your support contributes to creating a visually immersive experience that enhances the overall storytelling.

Catering for Cast and Crew: $850

A dedicated portion of our budget ensures the nourishment and well-being of our cast and crew. Your support provides the sustenance they need to deliver their best performances throughout the entire production.

Essential Equipment: $500

Funds are allocated to acquire crucial non-camera equipment. This ensures we have the necessary tools to capture the highest quality visuals, elevating the overall production value and bringing our vision to fruition. This includes renting specialty wide-angle lenses and Dana Dolly for camera movements.

Post Production Excellence: $500

A portion of the budget is reserved for post-production expenses, covering editing, sound design, and visual effects. Your support in this phase refines our film, contributing to a polished and captivating final product.

Film Festival Opportunities: $350

A share of the budget is dedicated to submitting our film to various festivals. Your support in this area enhances our chances of recognition and exposure within the film industry, opening doors for our story to reach a broader audience.

Your contribution is instrumental in shaping every aspect of our production journey, from the well-being of our team to the visual and narrative excellence of the final film. Thank you for being a vital part of transforming our vision into a reality.

The Team:

Director: Nika Gravel

Writing from personal experience, I am creating this short film to comment on the psychological trauma that can stem from toxic workplace environments, particularly when a person in a position of authority abuses their power.

A portion of the story takes place in the 1960s as this was a period where there was an influx of women entering the paid workforce and however amazing this change was, it also came with its disparities such as workplace harassment, as we explore in Department ‘61.

While the 1960s were over half a century ago, harassment still occurs today. Despite the protections and support available for women, many may still struggle to find their voice, carrying the mental burden of their situation alone, some even experiencing psychological trauma.

Producer: Siddharth Mehta

As a producer, I'm drawn to narratives that explore diverse perspectives. "Department '61" resonates with its subtle exploration of toxic workplace dynamics and the abuse of power, shedding light on the psychological toll it can take.

My commitment is to leverage my producing and documentary experience to breathe life into this narrative. Your support becomes the silent underpinning, enabling us to capture not only Mara's story but also the nuanced complexities of workplace environments. Join me in making "Department '61" a reality—a film that transcends timelines and subtly challenges storytelling norms. Thank you for being a vital part of this transformative cinematic venture.

Director of Photography: Molly Biggs

"Department '61" doesn't just scratch the surface; it delves into the depths of workplace toxicity and the consequences of abuse by people in power. This project holds a personal significance for me, as I am deeply driven by its potential to shed light on these critical issues within the professional landscape.

On a personal level, I am committed to visually capturing the essence of "Department '61" and contributing to a narrative that unveils the complexities of workplace dynamics. As the cinematographer, I aim to bring forth the nuances that echo the impact of toxic environments and power imbalances.

I'm thrilled to be part of a project that not only tells a compelling story but also strives to raise awareness and prompt reflection on workplace challenges. Thank you for joining us on this journey of creative storytelling and shedding light on the intricate dynamics of "Department '61."

Assistant Director: Hugo Sentinelli

As an avid cinema enthusiast and passionate about intriguing stories, I am thrilled to be part of this project that, in such an innovative and captivating way, blends time travel with a workplace thriller, exposing abusive behaviour from those in positions of power.

My plan is to ensure that the entire production proceeds smoothly and efficiently. I collaborated with the art and cinematography team to develop the shooting schedule, ensuring that we have an optimized production capable of delivering high-quality content in two days of filming.

Production Designer: Yejin Park

‘Department 61’ represents two eras and takes the audience to a surreal world. Our director got inspiration from ‘Twin Peaks: Red Room Scene’ by David Lynch.

I am an artist who always has had an interest in and fantasy of creating an unrealistic universe. Hence, I am very excited to participate in this theatrical thriller film, creating an eerie feeling and bringing it to the real world.

Why Support Us?

You’re Empowering a New Generation of Filmmakers: Your contribution nurtures young talents and empowers them to tell compelling stories.

We’re Creating Visual Magic: We aim to transport audiences to the mesmerizing world of 1961 through top-notch cinematography and production design.

A Unique Story Deserves Unique Support: Be a trendsetter by supporting a fresh and original narrative that challenges the norms of student filmmaking.