Expressive Arts Refuge
Choral director Betsy Blakeslee spearheaded Expressive Arts Refuge, a team that uplifts the lives of youth in conflict zones.
Expressive Arts Refuge ran a music program at Calais Jungle refugee camp, France for 8 weeks in July and Aug, 2016. EAR organized 3 concerts showcasing refugee youth and adults on makeshift stages, performing with EAR musicians from the US and Belgium. EAR assisted with the production of a play titled To Be or Not, written and acted by refugees. The play toured France to national acclaim.
EAR partners with non-profits in refugee camps and conflict zones. We've spent gofundme donations on sleeping bags, medical supplies, undergarments, shoes, a simple sound system, and phone credit. We directly deliver items and enrichment classes to refugees. The EAR team self-funds its travel and accommodations. Rather than start a new gofundme for each year's summer program, we add to the existing account.
In July 2017, we collaborated with Caritas on an inter-cultural music program for homeless refugees in Calais. In August, we partnered with Hope School -- a refugee-led initiative that educates 350 refugee children. We ran a music and English program at Skaramagas Refugee Camp in Athens, Greece. Most Skaramagas residents fled war in Syria and Iraq. Refugee youth expressed themselves, shared their music, performed and enjoyed a respite from their travails.
In August 2019, EAR will partner with Jerusalem Youth Chorus to direct a music summer camp for Palestinian and Israeli Jewish teens in Jerusalem. We're raising funds to pay their staff to translate, facilitate dialogue, and administrate. Funds will also pay a promising young Palestinian conducting fellow to join the teaching team and guide us in cross-cultural awareness.
Our all-volunteer team has included singer/songwriter Moira Smiley; World Harmony Chorus director Betsy Blakeslee, Arabic singer/translator Tawfic Halaby,
educator/author/summer camp director Judy Kranzler and her assistant Andy Wyrobek, and Tami Halaby -- sister to everyone she meets.
EAR director Betsy Blakeslee developed and ran programs in music and art to enrich the lives of youth in wartime Bosnia during the 1990s. The EAR team adapts its program each summer to the people who attend our classes.
We're excited to include you in our growing community of supporters for the work we do with youth in conflict zones. Any size donation is greatly appreciated and will positively impact people who be uplifted by music. Follow our blog: earefuge.wordpress.com
EAR is thrilled to be partnering this year with Jerusalem Youth Chorus. Micah Hendler, founding director of Jerusalem Youth Chorus, has been conducting and touring a year-round chorus of Palestinian and Israeli Jewish teens since 2012. He is a Forbes 30 Under 30.
Jerusalem Singing Camp music educators are EAR director Betsy Blakeslee, Jerusalem Youth Chorus directors Micah Hendler and Hani Kreitem, and Austin Willacy (director 'Til Dawn and Thrive Choir). Austin brings years of facilitation through Yes! youth leadership. Hani is the premiere Palestinian choral director in Jerusalem, bringing familiarity with both Arabic and western singing styles. Betsy has been taking teams of music educators and singers to teach music in refugee camps since 2016. Jared Michaud, a music graduate student at Yale will join the teaching team as a fellow.
Thank you to all our generous donors! The funds generated here are used for each year’s summer program. We spend $5000-6000 each summer, then continue to raise funds for the next year’s program. In 2019, funds will pay translators, coordinators, and professional facilitators of dialogue. They will also subsidize a Palestinian conducting fellow.
To follow our blog with pictures, go to earefuge.wordpress.com.
Jerusalem singing Camp will meet from Aug 11-22. Expressive Arts Refuge's collaboration with Jerusalem Youth Chorus and Jerusalem International YMCA is moving forward. EAR's music teaching team includes outstanding musicians with teaching experience in diverse groups - Moira Smiley, Austin Willacy, Betsy Blakeslee, and a Palestinian conducting fellow from E Jerusalem. Jerusalem Youth Chorus provides coordinators, translators, and professional facilitators of dialogue. The Y provides a beautiful private space in which to hold six hours/day of classes in singing, body music, beatboxing, harmony. Teen participants will attend 90 minutes/day of facilitated dialogue.
Your donations pay professional facilitators, translators, and coordinators. As always, the EAR team is entirely self-funding. None of the funds raised here will pay for EAR's expenses.
Thank you, everyone.
Expressive Arts Refuge arrived to add singing classes where we taught six songs in four languages. We also assisted in existing music classes run by LEAP (Learning for the Empowerment and Advancement of Palestinians).
Our students ranged in age from six to twelve. Some had fled the war in Syria in 2016-17. Others are third generation refugees from Palestine, and haven’t been able to return since it became Israel.
In classes with Expressive Arts Refuge, the children started to learn the difference between singing with passion and shouting. For longer and longer periods each day, they focused their attention on a director. Their bodies entrained to rhythms they beat out on their bodies. They took turns copying and generating rhythms through clapping, slapping and snapping.. Their repertoire of musical patterns grew. New neural pathways formed.
A final concert featured sixty children performing two Arabic songs on violin, guitar, drums, and voice. It was chaotic and hot. Our water bottles vanished and reappeared at the end of the concert. Some of our Syrian boys darted off before we could hug them goodbye and exchange contact information.
We regretted the brevity of EAR’s part of the summer music program. An additional week would have resulted in a firmer basis for future musical training; a month could have instilled more familiarity with English and classroom skills.
Expressive Arts Refuge partnered with US-based NGO, LEAP. In their ninth year of coordinating volunteer programs in Lebanese refugee camps, LEAP offers substantial summer programs for refugee youth in several Lebanese camps. EAR’s other partner organization, BAS, was founded by and is operated by residents of ten Lebanese camps.
BAS (Beit al Assamoud) will offer several ongoing music classes — in oud, guitar, saxophone, and violin. BAS will use the saxophone reeds, and guitar and violin strings that your donations bought. The hand-delivered instruments that EAR brought to Lebanon will remain in the small hands of children who share them. When instruments leave their closet, which is locked, the children handle them with care. Some instruments go home with students who have proven the level of maturity to protect them from whizzing scooters in the alleys, and toddlers in cramped apartments.
EAR volunteers stay in touch with our students on facebook. We also remain friends with the youth and adult musicians we met in Calais Jungle in 2016, and Athens in 2017. A lot of love crosses the ocean, encouraging people whose options have narrowed beyond what we westerners can comprehend. A lot of love.
Thank you for caring and contributing.
In July-August, 2018, EAR will run its signature music and body music program in Burj el Shamali, a Palestinian refugee camp in southern Lebanon. We’re excited to partner with LEAP (leap-program.org) , a non-profit that has been running educational programs for Palestinian youth in Lebanese camps for seven years. Their partner, BAS, has been facilitating projects in ten out of twelve Palestinian camps in Lebanon for ten years.
Together, we’ll teach several daily music classes at Burj el Shamali, produce a final performance in conjunction with other LEAP projects, identify and provide a performance platform for adult refugee musicians.
What’s new this year is that EAR director Betsy Blakeslee will train an ongoing music teacher in the subtler aspects of its music and body music program. These include rebalancing the nervous systems of traumatized refugees through structured body music patterns, and stimulating the minds of understimulated refugee youth to enhance learning.
Collaborations are always rich. Everyone enhances the skills of one another, and youth benefit not only from the instruction, but from seeing volunteers from several cultures work together.
Your donations enhance our music program. They buy musical equipment and musical instruments that stay in the camp after our departure. This year, they will help pay the salary of an ongoing music teacher. EAR volunteers are entirely self-funding. We never spend your dollars on our expenses.
Thank you for your support!
If you are in the SF Bay, come to Notes From Home, a benefit concert produced by Aswat Ensemble and World Harmony Chorus. Saturday June 23rd 7:00 – 9:30 pm. Islamic Cultural Center, 1344 Madison, Oakland. EAR director Betsy Blakeslee also directs World Harmony Chorus and will speak briefly; EAR co-director Tawfic Halaby and EAR volunteer Sydney Lea will sing leads.
A big thank you to everyone who has donated to EAR (Expressive Arts Refuge). The EAR team will spend all funds on crucial items for Calais jungle refugees (under garments, sleeping bags, tents, flashlights). To reduce extra baggage charges, we'll buy things once we arrive in Calais, France. EAR singers -- the Halaby siblings -- will drive from Brussels by way of California and Florida. They'll drive supplies in a rented car that will take the EAR team to and from Calais jungle refugee camp every day. What's also essential is lifting spirits of unaccompanied minors in the camp. We'll get them stomping, singing, and clapping to an exciting repertoire I'm arranging for them. Thanks, Moira Smiley, for her songs in English. Thanks, Raul Cabrera, for his Cuban arrangement of Yemaya. California EAR singers are learning these and Arabic songs to teach them in workshops at the camp. Aug 3rd should be a great concert with Moira, the EAR team, refugee youth and refugee adult musicians!